12 Rhetoric of Argumentation
Terri Pantuso
Argument is not the loud, assertive, unwavering statement of your opinion in the hopes of conquering the opposition. Argument is the careful consideration of numerous positions and the careful development of logically sound, carefully constructed assertions that, when combined, offer a worthwhile perspective in an ongoing debate. Certainly you want to imagine yourself arguing with others—and certainly you want to believe your ideas have superior qualities to theirs—but the purpose of argument in the college setting is not to solve a practical problem or shut down a conversation. Rather, it’s to illuminate, expand, and further inform a debate happening on a worthwhile subject between reasonable, intelligent people. In other words, calling the opposition stupid is not good argument, it’s an ad hominem attack. For a review of this and other logical fallacies, refer to section 3.7 of this text.
Some of the key tools of argument are the strategies that students are asked to consider when doing a rhetorical analysis. Before beginning an argument of your own, review the basic concepts of rhetorical appeals below. As you plan and draft your own argument, carefully use the following elements of rhetoric to your own advantage.
Rhetorical Appeals
Logos
The use of data, statistical evidence, and sufficient support to establish the practicality and rationality of your claims should be the strongest element of your argument. To have a logically sound argument, you should include:
- A debatable and supportable claim
- Logical reasoning to support your claim
- Sound evidence and examples to justify the reasoning
- Reasonable projections
- Concessions & rebuttals
- Avoid logical fallacies
Ethos
The ethical and well-balanced use of all of the strategies above will help you to present yourself as trustworthy and intelligent in your consideration of the topic and in the development of your argument. This balance should include the use of credible, relevant sources which can be accomplished through research methods utilizing the strategies governing your discipline. Following those strategies will build your credibility as a writer of argument, particularly in the college setting, as you pay attention to the needs of the audience with regard to presentation and style. In college, this means that you have used the style manual (MLA, APA, Chicago, etc.) required for the assignment and appropriate to the audience. In so doing, make certain to cite the sources you have used according to the style manual you are using.
Pathos
The use of examples and language that evoke an appropriate emotional response in your reader—that gets them to care about your topic—can be helpful in argument. For academic essays, pathos may be useful in introductory sections, concluding sections, or as ways to link various parts of the paper together. However, if your argument is based solely or primarily upon emotional appeals, it will be viewed as weak in an academic setting, especially when data or ethical sources can disprove your claims. Therefore, college writing often puts more emphasis on logos and ethos.
Approaches to Argument
A well-structured argument is one that is carefully and optimally planned. It is organized so that the argument has a continuous building of ideas, one upon the other or in concert with the other, in order to produce the most persuasive impact or effect on the reader. For clarity, avoid repeating ideas, reasons, or evidence. Instead, consider how each idea in your argument connects to the others. Should some ideas come before others? Should you build your reasons from simple to complex or from complex to simple? Should you present the counterargument before your reasons? Or, would it make more sense for you to present your reasons and then the concessions and rebuttals? How can you use clear transitional phrases to facilitate reader comprehension of your argument? Consider these questions while constructing and revising your argument.
Simple to Complex/Complex to Simple
Whether structuring a paragraph or a research paper, the simple to complex (or reverse) method can be an effective way to build cohesion throughout your writing. Just as the phrase implies, simple to complex is when a writer introduces a simple concept then builds upon it to heighten interest. Sometimes, the opposite structure works to move the reader through your position. For example, if you choose to write on the topic of pollution as it impacts the world, you might begin with the concept of straws and sea turtles. Your simple topic of sea turtles swallowing straws thrown away might then move to the complex issues of consumption, consumerism and disposal. Conversely, if you begin with the broad, complex topic of consumerism, you could then move to the story of the sea turtles as a way of building pathos in the reader. Whichever method you choose, make sure that the relationship between the topics is logical and clear so that readers find validity in your position.
Cause/Effect
The cause/effect method is a way of establishing a reason, or reasons, why something has occurred. For example, if you live in south Texas, then you understand the problem that mosquitoes cause in the hot, humid summer months. While there is no way to eliminate all mosquitoes, there are ways to minimize their growth in your backyard. If you research the ways in which mosquitoes are born, you would understand the importance of things such as emptying containers of all stagnant water so that they cannot incubate or keeping your grass mowed to eliminate areas for them to populate. The process by which you go through to determine the cause of mosquito infestations is the cause and effect method. In argumentation, you might use this method to support a claim for community efforts to prevent mosquitoes from growing in your neighborhood. Demonstrating that process is effective for a logos based argument.
Chronological
Sometimes an argument is presented best when a sequential pattern is used. Oftentimes, that pattern will be based on the pattern of time in which the sequence occurs. For example, if you are writing an argumentative essay in which you are calling for a new stop light to be installed at a busy intersection, you might utilize a chronological structure to demonstrate the rate of increased accidents over a given period of time at that intersection. If your pattern demonstrates a marked increase in accidents, then your data would show a logical reason for supporting your position. Oftentimes, a chronological pattern involves steps indicated by signal words such as first, next, and finally. Utilizing this pattern will walk readers through your line of reasoning and guide them towards reaching your proposed conclusion.
Emphatic
Another method for organizing your writing is by order of importance. This method is often referred to as emphatic because organization is done based upon emphasis. The direction you choose to go is yours whether you begin with the strongest, most important point of your argument, or the weakest. In either case, the hierarchy of ideas should be clear to readers. The emphatic method is often subjectively based upon the writer’s beliefs. If, for example, you want to build an argument for a new rail system to be used in your city, you will have to decide which reason is most important and which is simply support material. For one writer, the decrease in the number of cars on the road might be the most important aspect as it would result in a reduction of toxic emissions. For another writer, the time saved for commuters might be the most important aspect. The decision to start with your strongest or weakest point is one of style.
Style/ Eloquence
When we discuss style in academic writing, we generally mean the use of formal language appropriate for the given academic audience and occasion. Academics generally favor Standard American English and the use of precise language that avoids idioms, clichés, or dull, simple word choices. This is not to imply that these tropes are not useful; however, strong academic writing is typically objective and frequently avoids the use of first-person pronouns unless the disciplinary style and conventions suggest otherwise.
Some writing assignments allow you to choose your audience. In that case, the style in which you write may not be the formal, precise Standard American English that the academy prefers. For some writing assignments, you may even be asked to use, where appropriate, poetic or figurative language or language that evokes the senses. Additionally, instructors should be cognizant of second language learners and the variations in style when writing in a non-native language.
In all cases, it is important to understand what style of writing your audience expects, as delivering your argument in that style could make it more persuasive.
This section contains material from:
“Arguing.” In A Guide to Rhetoric, Genre, and Success in First-Year Writing, by Melanie Gagich and Emilie Zickel. Cleveland: MSL Academic Endeavors. Accessed July 2019. https://pressbooks.ulib.csuohio.edu/csu-fyw-rhetoric/chapter/8-2-arguing/. Licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Archival link: https://web.archive.org/web/20230208102142/https://pressbooks.ulib.csuohio.edu/csu-fyw-rhetoric/chapter/8-2-arguing/
Agree with | Decide on | Respond to |
Apply to | Depend on | Result in |
Approve of | Differ from | Search for |
Arrive at | Disagree with | Speak to |
Arrive in | Dream about | Speak with |
Ask for | Dream of | Stare at |
Believe in | Feel like | Succeed at |
Belong to | Forget about | Succeed in |
Care about | Happen to | Take advantage of |
Care for | Hope for | Take care of |
Compare to | Insist on | Think about |
Compare with | Listen to | Think of |
Concentrate on | Participate in | Wait for |
Consist of | Rely on | Wait on |
Count on | Reply to |
Types of Writing
There are four main types of writing: expository, descriptive, persuasive, and narrative. Each of these writing styles is used for a specific purpose. A single text may include more than one writing style.
Expository
Expository writing is one of the most common types of writing. When an author writes in an expository style, all they are trying to do is explain a concept, imparting information from themselves to a wider audience. Expository writing does not include the author’s opinions, but focuses on accepted facts about a topic, including statistics or other evidence.
Examples of Expository Writing
- Textbooks
- How-to articles
- Recipes
- News stories (not editorials or Op-Eds)
- Business, technical, or scientific writing
Descriptive
Descriptive writing is often found in fiction, though it can make an appearance in nonfiction as well (for example, memoirs, first-hand accounts of events, or travel guides). When an author writes in a descriptive style, they are painting a picture in words of a person, place, or thing for their audience. The author might employ metaphor or other literary devices in order to describe the author’s impressions via their five senses (what they hear, see, smell, taste, or touch). But the author is not trying to convince the audience of anything or explain the scene – merely describe things as they are.
Examples of Descriptive Writing
- Poetry
- Journal/diary writing
- Descriptions of Nature
- Fictional novels or plays
Persuasive
Persuasive writing is the main style of writing you will use in academic papers. When an author writes in a persuasive style, they are trying to convince the audience of a position or belief. Persuasive writing contains the author’s opinions and biases, as well as justifications and reasons given by the author as evidence of the correctness of their position. Any “argumentative” essay you write in school should be in the persuasive style of writing.
Examples of Persuasive Writing
- Cover letters
- Op-Eds and Editorial newspaper articles
- Reviews of items
- Letters of complaint
- Advertisements
- Letters of recommendation
Narrative
Narrative writing is used in almost every longer piece of writing, whether fiction or nonfiction. When an author writes in a narrative style, they are not just trying to impart information, they are trying to construct and communicate a story, complete with characters, conflict, and settings.
Examples of Narrative Writing
- Oral histories
- Novels/Novellas
- Poetry (especially epic sagas or poems)
- Short Stories
- Anecdotes
Understanding the Assignment
There are four kinds of analysis you need to do in order to fully understand an assignment: determining the purpose of the assignment, understanding how to answer an assignment’s questions, recognizing implied questions in the assignment, and recognizing the disciplinary expectations of the assignment.
Always make sure you fully understand an assignment before you start writing!
Determining the Purpose
The wording of an assignment should suggest its purpose. Any of the following might be expected of you in a college writing assignment:
- Summarizing information
- Analyzing ideas and concepts
- Taking a position and defending it
- Combining ideas from several sources and creating your own original argument.
Understanding How to Answer the Assignment
College writing assignments will ask you to answer a how or why question - questions that can’t be answered with just facts. For example, the question "What are the names of the presidents of the US in the last twenty years?" needs only a list of facts to be answered. The question "Who was the best president of the last twenty years and why?" requires you to take a position and support that position with evidence.
Sometimes, a list of prompts may appear with an assignment. Remember, your instructor will not expect you to answer all of the questions listed. They are simply offering you some ideas so that you can think of your own questions to ask.
Recognizing Implied Questions
A prompt may not include a clear ‘how’ or ‘why’ question, though one is always implied by the language of the prompt. For example:
“Discuss the effects of the No Child Left Behind Act on special education programs” is asking you to write how the act has affected special education programs.
“Consider the recent rise of autism diagnoses” is asking you to write why the diagnoses of autism are on the rise.
Recognizing Disciplinary Expectations
Depending on the discipline in which you are writing, different features and formats of your writing may be expected. Always look closely at key terms and vocabulary in the writing assignment, and be sure to note what type of evidence and citations style your instructor expects.
Test Your Thesis
You’ve come up with what you hope will be a great thesis for your paper. Want to make sure before you get started with it? Ask yourself the following questions:
- Does your thesis take a position, propose a solution, or answer a question?
- Does your thesis give you enough material to write a full-length paper?
- Can you come up with interpretations of your thesis that don’t match your own?
- Is there evidence to support your thesis?
- Will readers want to read an essay with this thesis?
If the answer to any of these questions is ‘no,’ you need to revise your thesis.
Assessing the Writing Situation
Before beginning the writing process, always establish the following:
- Is there an assigned topic or are you free to choose your own?
- What about your subject interests you?
- Why is your subject worth reading about?
- Double check that your subject is not too broad – narrow it down if necessary.
- Determine the purpose of the work.
- Determine the readers of the work and their level of knowledge about the topic.
- Determine where your evidence will come from.
- Decide what kind of evidence would best serve your argument.
- Identify the required style (MLA, APA, etc.) of the paper.
- Be aware of length specifications.
- Consider if visuals might be helpful in your paper.
- Will someone be reviewing drafts of your paper? Who?
- Note your deadline and how much time you have for each stage of the writing process.
Transitions
Addition | and, also, besides, further, furthermore, in addition, moreover, next, too, first, second |
Examples | for example, for instance, to illustrate, in fact, specifically |
Compare | also, similarly, likewise |
Contrast | but, however, on the other hand, in contrast, nevertheless, still, even though, on the contrary, yet, although |
Summarize/Conclude | in other words, in short, in conclusion, to sum up, therefore |
Time | after, as, before, next, during, later, finally, meanwhile, since, then, when, while, immediately |
Place/Direction | above, below, beyond, farther on, nearby, opposite, close, to the left |
Logical Relationship | if, so, therefore, consequently, thus, as a result, for this reason, because, since |
These three words can help you show either time or place.
Time | Place |
At 12:45, at dusk, at sunrise | At the library, standing at the edge, walking at the signal, yelling ‘Surprise!’ at Sophie |
On Friday, on our anniversary | On the fridge, the building on Sixth Street, on the stage |
In the evening, in June, in 1990, tested in forty minutes | In the book, in Seattle, in my bedroom |
Student Learning Outcomes
- Identify techniques of factual storytelling and descriptive writing, which will culminate in the writing of a personal narrative essay
- Use point of view, plot, transitions, characters, conflict, theme, and sensory details in an essay
What Is Narration?
Narration means the art of storytelling, and the purpose of narrative writing is to tell stories. Any time you tell a story to a friend or family member about an event or incident in your day, you engage in a form of narration. In addition, a narrative can be factual or fictional. A factual story is one that is based on, and tries to be faithful to, actual events as they unfolded in real life. A fictional story is a made-up, or imagined, story; the writer of a fictional story can create characters and events as he or she sees fit.
The big distinction between factual and fictional narratives is based on a writer’s purpose. The writers of factual stories try to recount events as they actually happened, but writers of fictional stories can depart from real people and events because the writers’ intents are not to retell a real-life event. Biographies and memoirs are examples of factual stories, whereas novels and short stories are examples of fictional stories.
Ultimately, whether the story is fact or fiction, narrative writing tries to relay a series of events in an emotionally engaging way. You want your audience to be moved by your story, which could mean through laughter, sympathy, fear, anger, and so on. The more clearly you tell your story, the more emotionally engaged your audience is likely to be.
The use of strong details is crucial as you describe the events and characters in your narrative.
To create strong details, keep the human senses in mind. You want your reader to be immersed in the world that you create, so focus on details related to sight, sound, smell, taste, and touch as you describe people, places, and events in your narrative. For more information on sensory details, see the chapter on Description.
The Structure of a Narrative
Every day, you relate stories to other people through simple exchanges. You may have had a horrible experience at a restaurant the night before, or you may have witnessed a curious interaction between other people. In each one of these experiences, there’s a story, and when you begin to share a personal experience, you often communicate in a narrative mode.
There are two main types of narratives: narratives about a personal experience and narratives about other people’s experiences.
Narratives about the writer’s personal experience typically use the first-person “I” pronoun because the narrator is the person who was physically present for the events described. The writer chooses details and language that reveal the narrator’s feelings about the events that are taking place.
Narratives written about other people’s experiences typically use the third-person pronouns “he, she, it, they.” Some writers opt to report third-person narratives objectively to relay events in a way that is both accurate and dispassionate. Examples include history books, lab reports, and news stories.
Regardless of the narrator’s point of view, major narrative events are most often conveyed in chronological order, the order in which events unfold from first to last. Stories typically have a beginning, a middle, and an end, and these events are typically organized by time. Certain transitional words and phrases aid in keeping the reader oriented in the sequencing of a story. Some of these phrases are listed here:
Chronological Transitional Words
after/afterward as soon as at last
before currently during
eventually finally first, second, third
later meanwhile next
now since soon
still then until
when/whenever while
Other basic components of a narrative are:
- Plot – The events as they unfold in sequence.
- Characters – The people who inhabit the story and move it forward. Typically, there are minor characters and main characters. The minor characters generally play supporting roles to the main character, also known as the protagonist.
- Conflict – The primary problem or obstacle that unfolds in the plot that the protagonist must solve or overcome by the end of the narrative. The way in which the protagonist resolves the conflict of the plot results in the theme of the narrative.
- Theme – The ultimate message the narrative is trying to express; it can be either explicit or implicit.
Writing a Narrative Essay
When writing a narrative essay, start by asking yourself if you are writing a factual or fictional story. Then freewrite, brainstorm, or mind map about topics that are of general interest to you.
Once you have a general idea of what you will be writing about, you should sketch out the major events of the story that will compose your plot. Typically, these events will be revealed chronologically and climax at a central conflict that must be resolved by the end of the story.
As always, it is important to start with a strong introduction to hook your reader into wanting to read more. Try opening the essay with an event that is interesting to introduce the story and get it going. Finally, your conclusion should help resolve the central conflict of the story and impress upon your reader the ultimate theme, or unifying idea, of the piece.
Professional Writing Example
“Fish Cheeks” by Amy Tan is an example of a well-written personal narrative. As you read the following narrative, try to determine the narrative’s point of view, plot, characters, transitions, conflict, and theme. See if you can identify areas where the author has included descriptive details.
Fish Cheeks
I fell in love with the minister's son the winter I turned fourteen. He was not Chinese, but as white as Mary in the manger. For Christmas I prayed for this blond-haired boy, Robert, and a slim new American nose.
When I found out that my parents had invited the minister's family over for Christmas Eve dinner, I cried. What would Robert think of our shabby Chinese Christmas? What would he think of our noisy Chinese relatives who lacked proper American manners? What terrible disappointment would he feel upon seeing not a roasted turkey and sweet potatoes but Chinese food?
On Christmas Eve I saw that my mother had outdone herself in creating a strange menu. She was pulling black veins out of the backs of fleshy prawns. The kitchen was littered with appalling mounds of raw food: A slimy rock cod with bulging eyes that pleaded not to be thrown into a pan of hot oil. Tofu, which looked like stacked wedges of rubbery white sponges. A bowl soaking dried fungus back to life. A plate of squid, their backs crisscrossed with knife markings so they resembled bicycle tires.
And then they arrived – the minister's family and all my relatives in a clamor of doorbells and rumpled Christmas packages. Robert grunted hello, and I pretended he was not worthy of existence.
Dinner threw me deeper into despair. My relatives licked the ends of their chopsticks and reached across the table, dipping them into the dozen or so plates of food. Robert and his family waited patiently for platters to be passed to them. My relatives murmured with pleasure when my mother brought out the whole steamed fish. Robert grimaced. Then my father poked his chopsticks just below the fish eye and plucked out the soft meat. "Amy, your favorite," he said, offering me the tender fish cheek. I wanted to disappear.
At the end of the meal my father leaned back and belched loudly, thanking my mother for her fine cooking. "It's a polite Chinese custom to show you are satisfied," explained my father to our astonished guests. Robert was looking down at his plate with a reddened face. The minister managed to muster up a quiet burp. I was stunned into silence for the rest of the night.
After everyone had gone, my mother said to me, "You want to be the same as American girls on the outside." She handed me an early gift. It was a miniskirt in beige tweed. "But inside you must always be Chinese. You must be proud you are different. Your only shame is to have shame.”
And even though I didn't agree with her then, I knew that she understood how much I had suffered during the evening's dinner. It wasn't until many years later – long after I had gotten over my crush on Robert – that I was able to fully appreciate her lesson and the true purpose behind our particular menu. For Christmas Eve that year, she had chosen all my favorite foods.
Questions for Discussion
- What point of view does Amy Tan use in “Fish Cheeks”?
- Who are the characters in the narrative?
- Where does Amy Tan use transitions?
- What is the main conflict in the narrative? How is it resolved?
- What is the theme of “Fish Cheeks”?
- What are three examples of description from this narrative?
Student Writing Example
The following essay, “Bayou Monster,” was written by an English 101 student, who wrote this personal narrative to challenge the idea that a monk’s life is boring. As you read this story, look for places where the author has incorporated the same narrative techniques found in Amy Tan’s essay.
Bayou Monster
It was a scorcher that day. The wind and trees were no help. The shade was only being supplied so far off the bank. Baseball caps can only do so much to protect the head from the sun's powerful rays. The mosquitoes were rampant, their feeble attempt at survival. There was a lack of warm-blooded animals for them to prey on. We were the likely targets, the only ones that would dare venture that far out into a swamp. In addition to the nagging pests, the feebleness of the body takes its toll on the mind. Doubts began to swirl in my head of when we would ever stop to rest. Thoughts of unrest, discomfort, and selfishness shot from my bones up to my brain, causing a disinterested taste on my part for this “lovely day out.”
Just as my thoughts became increasingly negative and the downward swirl of discomfort was reaching the highest degree, I heard, “Get ready; it’s our first one!” Suddenly a slight rush of energy came out of nowhere, pushing me forward onto my toes, ready for what came next. As the boat slowed for the approach, I snapped a quick glance around. I noticed the others received the same kind of rejuvenation that I had experienced. Their heads moved forward toward the front of the boat, their bodies posturing upward to get the best look. Suddenly, I found myself hanging halfway off the front bow reaching down for a rope that had spent most of its existence submerged in nature. After I grabbed the rope, the next hardest thing to get a handle on was my fear, which manifested itself in the form of unsteady hands. As I pulled the rope further into the boat, I thought, “This stuff only happens in movies.” The partner boat was only a few feet away, readied with cameras, and smiles behind the lenses.
What I saw next was unutterable. Coming up behind the rope was a massive net. The net wasn’t the problem, though; rather, what the net contained had my mind tangled a bit. At first glance, anyone would say, “It’s a fish.” It looked like a fish, moved like a fish, and it certainly smelled like a fish. Drawing closer to this mysterious creature, I tried to get a better look at it. Suddenly there was an eerie sound. Caused by a mix of fluid and air being pushed through a small hole at a high rate of speed. I told myself, “This beast has lungs.” As the rest of its body surfaced, it became clear that the creature I had helped pull from the water was not just any old fish. It was a prehistoric monster that made its way through the waters of history until now. It had teeth the size of my fingers, eyes that had seen little sunlight, and a head the size of my torso. It suddenly became difficult to breathe normally. I was in shock.
Thanks be to God and all that is good for our fearless boat captain. He had seen this sort of thing before. This became clear when I glanced up to find a smile bigger than the sun on his face. Though a few teeth were missing, it did not seem to stifle his cheer. Oh, the laughter that came from this large man. His amusement caused my discomfort. Sheepishly, I managed to ask, “What are we going to do with that thing?” His answer was clear, striking, and firm. Looking over the specimen wrapped in the net behind me, he said, “We’re going to kill it and eat it.” Indeed, we did. Carefully and with much fear, we pulled this living hunk of marsh onto the deck of the boat. Watching its every move as he untied what was left of the mangled nets. He then calmly requested his “special tool” from behind the steering wheel. With a crooked smile and a strange sense of confidence, he said smoothly, “Just a little amnesia.” Then the inevitable happened. Thud! Thud! Thud! He raised the hatchet high in the air and delivered several deadly strikes to the uppermost part of the beast’s head. After the third swing, the beast ceased to move about on the deck of the bayou cruiser. It let out its final breath, almost a sigh of relief. We all stood there in silence for a moment, trying to process the most eventful and mysterious five minutes of our lives.
Before we knew it, we had the monster back at the camp to be cleaned and packaged. Several grown men had to grab its slimy body to fashion a hoist over its snout to get it onto the deck of the cleaning station. As we grabbed it, our eyes were fixed on its massive teeth. We wondered if the beast would awake from its seeming lethargy seeking revenge. Once a few pictures were snapped of us with our accidental catch, we began to clean the alligator garfish with much frustration. Fish that large have skin like armor, making it difficult even for the experienced veterans. Research showed that although it is an exceptionally large fish, it wouldn’t have topped the world record holders. I like to share this fishing story from time to time with friends and men who tend to boast of their “biggest catches.” It is a fond memory to share with many, especially those who call my life “boring.” If they only knew.
Questions for Discussion
- What point of view does the author use in his essay? How does it differ from Amy Tan’s essay?
- Who are the characters in this narrative? Which ones are major? Which are minor?
- Where does the author use transitions? Why do you think he placed them there?
- What is the main conflict in the narrative? How is it resolved?
- What is the theme of “Bayou Monster”? What is one sentence that reveals the narrative’s theme?
- What are three examples of description in this narrative?
Your Turn
What is an exciting or interesting true story you like to tell? Summarize it in one sentence.
Who are some characters that appear in your story?
What are some transition words you notice yourself using when you tell this story?
What might be a possible theme of this story?
Key Terms
- Narration
- Point of view
- Transitions
- Characters
- Plot
- Conflict
- Theme
Summary
Narration is the art of telling lively, engaging stories. Personal narratives are true stories that authors tell about either their lives or the lives of people around them. The elements common to most narratives include narration, description, point of view, transitions, characters, plot, conflict, and theme. By using these elements in your writing, you will be able to successfully complete a personal narrative essay.
Reflective Response
Now that your personal narrative is complete, reflect on the writing process. What was the most challenging part of composing your narrative? Which part would you consider the easiest?
Additional Chapter Sources
Amy Tan's short essay "Fish Cheeks" first appeared in Seventeen magazine. ©1987. All rights reserved.
Student work, "Bayou Monster," reproduced anonymously with permission. All rights reserved.
Author
Most reputable websites will list or cite an author, even though you might have to dig into the site deeper than just the section you’re interested in to find it. Most pages will have a home page or “About Us”/”About This Site” link where an author will be credited.
Once you find the name of the author, see what else you can find out about them, including their background in the area they are writing about. If these author’s qualifications are not listed on the site itself, search on author sites or in other sources.
Sponsorship
The sponsor of the site, the person or organization who is footing the bill, will often be listed in the same place as the copyright date or author information. If you can’t find an explicit listing for a sponsor, double check the URL: .com indicates a commercial site, .edu an educational one, .org a nonprofit, .gov a government sponsor, .mil a military sponsor, or .net a network of sponsors. The end part of a URL may also tell you what country the website is coming from, such as .uk for the United Kingdom or .de for Germany.
Purpose
Determine why the site was created and who it was meant to inform. For example, is it a website that was created to sell things, or a page hoping to persuade voters to take a side on a particular issue?
Relevance
Depending on the information you are using, the currency of the site could be vital. Check the bottom of the webpage for the date of publication or the date of the latest update. Most of the links on the site should also still work – if they no longer do, that may be a sign the site is too out of date to be useful.
Simple Tenses
Simple Present
General facts or habitual repetitive actions
=
am, is, are + past participle
Examples
- Lunch is served at noon.
- The locks are checked every night.
Simple Past
Completed past actions
=
was, were + past participle
Example
- She was rewarded for her information.
Simple Future
Future promises, predictions, or actions
=
will be + past participle
Example
- I will be there on Saturday.
Simple Progressive
Present Progressive
Future actions (paired with go, leave, move, etc.) or actions that are currently in progress
=
am, is, are + being + past participle
Examples
- The votes are being counted by impartial volunteers.
- Joe is being crowned king of the dance.
Past Progressive
Actions that were in progress at a specific time past
=
was, were + being + past participle
Example
- They thought they were being careful.
Perfect Tenses
Present Perfect
Actions that happened at an unspecified time in the past or that begin in the past but are still currently occurring
=
has, have + been + past participle
Examples
- The boat has been delayed because of the hurricane in the Atlantic.
- Tests have been proctored by teachers for many years.
Past Perfect
Actions that began or occurred before something else in the past
=
had + been + past participle
Example
- She had been searching for clues for hours before bedtime.
NOTE: Future progressive, future perfect, & perfect progressive are not used in passive voice.
Agree with | Decide on | Respond to |
Apply to | Depend on | Result in |
Approve of | Differ from | Search for |
Arrive at | Disagree with | Speak to |
Arrive in | Dream about | Speak with |
Ask for | Dream of | Stare at |
Believe in | Feel like | Succeed at |
Belong to | Forget about | Succeed in |
Care about | Happen to | Take advantage of |
Care for | Hope for | Take care of |
Compare to | Insist on | Think about |
Compare with | Listen to | Think of |
Concentrate on | Participate in | Wait for |
Consist of | Rely on | Wait on |
Count on | Reply to |
In-Text Citations
An in-text citation is used to let the reader of your work know that an outside source contributed to your writing of a particular phrase, idea, or argument. In-text citations need to be used following every direct quotation and paraphrase/summary that you write.
In-text citation for source with known author
These citations need to include the author’s last name, date that the information was published, and the page (p.) /paragraph (para.) number on which you found the information. If a signal phrase is used earlier in the sentence which includes the author’s name, the name does not need to be included in the citation.
Stephen Hawking (2013) describes the climate at Oxford while he was studying there as “very anti-work” (p. 33).
The climate at Oxford during his studies is described as “very anti-work” (Hawking, 2013, p. 33).
In-text citation for source with unknown author
These citations need to include the title or shortened title of the work in either the signal phrase or in the citation itself, the date when the information was published, and the page/paragraph number on which the information was found. Titles of books and reports are italicized or underlined; titles of articles, chapters, and web pages are in quotation marks.
In “Fighting Anti-Trans Violence” (2015), readers are told that while some suggest that transgender individuals should rely on law enforcement for protection, “police often participate in the intimidation themselves rather than providing protection” (para. 2).
While some suggest that transgender individuals should rely on law enforcement for protection it’s reported that “police often participate in the intimidation themselves rather than providing protection” (“Fighting Anti-Trans Violence”, 2015, para. 2).
In-text citation for source with multiple authors
These citations need to include the authors’ last names, the date when the information was published, and the page/paragraph number on which the information was found. If a signal phrase is used earlier in the sentence which includes the authors’ last names, the names do not need to be included in the citation. If the source has two authors, both authors’ last names need to be listed in the citation.
Research by Ishiguro and Garcia (2009), suggest that more scientific study is needed before a conclusion between cause and effect can be drawn (p. 198).
“More scientific research needs to be completed before any conclusions about causation can be drawn” (Ishiguro & Garcia, 2009, p. 198).
If the source has three – five authors, all the authors' last names need to be used in either a signal phrase or in the citation the first time the source is cited. After the first citation, only the first author’s last name followed by “et al.” should be used.
De Walle, Schmidt, and Lisowski (2010) assert that mainstream scientists and media organizations have ulterior motives when it comes to conducting such research (p. 231).
The scientists involved in these studies have suggested that mainstream scientists and media organizations may have ulterior motives when it comes to conducting such research (De Walle, Schmidt, & Lisowski, 2010, p. 231).
However, De Walle et al. (2010) could not provide adequate evidence for this assertion (p. 233).
However, adequate evidence for this assertion could not be provided (De Walle et al., 2010 p. 233).
If the source has six or more authors, you only need to use the first author’s last name in either a signal phrase or in the citation.
Willig et al. (1998) were the first group of researchers to take the issue seriously and perform in-depth research to identify potential negative effects of such events (p. 52).
The first group of researchers to take the issue seriously and perform in-depth research to identify potential negative effects of such events found some disturbing trends (Willig et al., 1998, p. 52).
Works Cited Entries
Works cited entry for book/print source with known author
Author, A. A. (Year of publication). Title of work: Capital letter also for subtitle. Location: Publisher.
Ip, G. (2010). The little book of economics. Hoboken: John Wiley & Sons, Inc.
Works cited entry for an article in a scholarly journal
Author, A. A., & Author, B. B. (Date of publication). Title of article.Title of Journal, volume number, page range. doi: 0000000/000000000000 or http://dx.doi.org/10.0000/0000
Belzer, A., & Shapka J. (2015). From heroic victims to competent comrades: Views of adult literacy learners in the research literature. Adult Education Quarterly, 65.3, 250-266. Doi: 10.1177/0741713615580015
Works cited entry for a webpage
Author, A. A., & Author, B. B. (Date of publication). Title of document. Retrieved from http://Web address
Ravenscraft, E. (2014, August 1). How to change your car’s oil. Retrieved from http://lifehacker.com/how-to-change-your-cars-oil-1598482301
If you’re sitting down to write an analytical or research essay (common in the humanities), use the third-person point of view: Achebe argues… or Carter describes her experiences as…
Scientists (including social scientists) tend to use third-person point of view as well, because they depend largely on quantitative research to present their findings or support their opinions: The results indicated…
Occasionally, social scientists and writers in the humanities will use first person to discuss their own experiences while doing research or if writing part of a personal narrative as evidence: After spending a year living with the Upendi, I came to the conclusion that… or Every Christmas we went to the same place, as if our memories could be rekindled…
A simple equation for a thesis might look like this:
What you plan to argue + How you plan to argue it = Thesis
Specific topic + Attitude/angle/argument = Thesis
Steps to Write an Effective Thesis Statement
The Components of an Effective Thesis Statement
The best thesis statement is a balance of specific details and concise language. Your goal is to articulate an argument in detail without burdening the reader with too much information.
Questions to Review Your Thesis
Myths about Thesis Statements
Progressively Complex Thesis Statements
Thesis Statement #1: The North and South fought the Civil War for many reasons, some of which were the same and some different.